Hello, you’ve reached Grantaire- if you meant to call me, leave your name and number, and if this is an accident, it’s fine, it happens, just never mention it again, if this is Enjolras, I love you. And also, I’ve embarrassed you on my voicemail, and there is nothing you can do. There will be a beep. That’s your cue. (x)
‘I now LOVE archery, I find it a very therapeutic sport. I would be taken away for a couple of hours before we started filming to get back into the rhythm so that it was a fluid movement of picking up the bow and then the arrows and just being able to make it look as authentic as possible’. — Rose Leslie for Instyle UK
freeglassart said: You may get asked this a lot, so please excuse my ignorance - but how do you go about constructing character expressions and body language and such? Thanks!
Besides The Basics (construction of heads and skulls and muscles and skeletons and how they move), I’ll go over some things I’ve been trying to work on myself lately:
1. Treat expressions as a single gesture of the face/head, as opposed to a head and then individual features dumped on a plate and arranged into an expression.
First, just get down the big shapes of your expression, just like you would for a pose.
So say I wanna do a low angle angry pose. I know the features are gonna be all mashed down at the bottom because of perspective.
Scribble it down
start to put on features
put on more stuff
fix stuff again
erasing and flipping and stuff a whole bunch until you are happy with it or stop caring
Whole head is a gesture!
2. Just like a facial expression, jot down where the important parts of an entire pose goes first. You can force the rest of the body to fit the pose.
So here I knew I wanted the shoulders tilted a certain direction, and te hand to be in that particular position in front of her face.
That’s the simplest explanation I got. Don’t be afraid to push and pull faces and bodies around! Worry about being “on model” last!
Hey ya’ll! I’m not much of a tutorial person, but this was a technique that I learned from Syuzuki, one of my favorite artists back in the day, when I was 13. I memorized the technique and it’s been one of the most useful things I can do on photoshop. This was something that really helped me, and I hope that it will be useful for even some of you.
In this tutorial, I will be going step by step how I take something from my sketchbook and color it on photoshop.
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